There are countless reasons why watch enthusiasts become passionate about Seiko. For me, it all started when I discovered the long and incredible history of the Japanese brand.
The history of Seiko, which began in 1881 with the opening of a small watch shop in the heart of Tokyo, is studded with revolutionary timepieces.
The Hi-Beat movements of Grand Seiko V.F.A. reached a level of precision never seen before in mechanical wristwatches.
The Quartz-Astron 35SQ changed forever the way people keep track of time, and revolutionized the entire watch industry.
The Spring Drive, introduced in the late 1990s, brought a new wave of innovation, which today is expressed at the highest levels in some gems by Grand Seiko and Credor.
These are just a few examples of wristwatches that have made Seiko history, but none of this could have been achieved without a starting point: the Laurel.
History of the Laurel
At a time when pocket watches dominated the scene, Kintaro Hattori, the founder of Seiko, realized that the wind was changing and decided to start the production of wristwatches.
In 1913, the Laurel was introduced as the first Japanese wristwatch, although its movement was not designed exclusively for wristwatches. In fact, the Laurel was also marketed as a small pocket watch.
With the tools of the time, manufacturing and assembling components much smaller than usual was not easy. The production of the Laurel was a major challenge for Seiko, which allowed the Japanese company to develop new techniques and sophisticated machinery.
It is said that, at least at the beginning, they were only able to produce a few dozen Laurels per day.
In those years, wristwatches were rare also in Europe, but they were used by soldiers during the First World War (1914-1918), and subsequently steadily growth in popularity.
The Laurel movement was probably based on the Swiss A. Schild 55, but it appears that its components were produced, wholly or in large part, by Seiko in Japan.
It operates at 18,000 bph and has a diameter of 26.2 mm (12 lignes). It has 7 jewels, at least in most examples, and in all of the early ones. As we will see shortly, there are some which have a greater number of jewels, most likely dating back to the end of the production period.
In this video from my Instagram page @the_seiko_guy, you can see the movement in action. More than 100 years old, and it still keeps good time without missing a beat.
The difference between the movements for wrist and pocket Laurel watches is immediately visible, due to the different position of the crown.
The comparison shows how the original design was intended to have the crown at 12 o’clock. To move it to 3 o’clock it was necessary to “cut” a part of the bridge in the center of the movement, so as to allow the repositioning of the crown wheel and the ratchet wheel.
It is also possible to distinguish the early movements produced, which are the most rare, from those produced in later years, thanks to some small differences. In particular, you can see the position of the case screws, and the shape of the ratchet wheel click. This distinction is present both in wrist and pocket watches.
The following images show four variants of the 7 jewels movement.
The following image depicts a specimen that I found during my research, with a greater number of jewels, apparently 11. I believe this version dates back to the last period of production.
The Laurel was marketed with many different cases, but it is important to notice that, among the few examples that can be seen today, most use third-party cases, which have been replaced to the original ones damaged by time and wear. The Laurel watches still in existence with the original case are extremely rare.
The most authoritative sources, including the Seiko Museum, suggest that the first version of the Laurel had a silver case with movable lugs, called “Senbai”, in Japanese characters “専売”.
This case is made up of 3 main parts, and is very similar to pocket watches of that era. Some specimens have decorative engravings, usually with flowers or natural landscapes.
Inside the case we find the fan-shaped “SKS” logo, accompanied by 0,900 (silver) and the watch’s serial number.
There is also an 18-karat gold version of the Senbai case, which I can show you thanks to the kindness of the watch collector Tito Ogami (Instagram: @tito_ogami).
Inside the case we see again the SKS logo, followed by 18k which indicates the gold carat, and then the serial number.
We then find another type of case, again in silver, but this time with fixed lugs.
Again, inside the case we find a serial number, the fan-shaped SKS logo, and 0.900 to indicate that it is made of silver.
In this particular specimen, which I had the opportunity to purchase at a Japanese auction, in addition to the symbols expected to be engraved inside the case, I was surprised by the presence of a Japanese character.
This kanji “賞” (Shō) symbolizes an award, or a gift possibly received at some event or celebration.
A gift for what? It is not known. For whom? I have no idea.
It is probably a mystery that will never find an answer, but for me it adds even more value to a watch that already has an amazing story to tell.
There is another version of the case with fixed lugs, almost identical to the silver one, but in nickel, a material that will become widely used by Seiko for wristwatches produced in the 1920s and 30s.
To date, I am not aware of any documented specimen with a fixed lugs case made of gold, however I hypothesize its existence, given the presence of gold versions of both the case with movable lugs and that of pocket watches.
Speaking again about pocket Laurels, we also find here different types of case.
From what I was able to verify in my research, it seems that the first one had a case similar to that of the oldest pocket watches produced by Seiko from the late 1800s.
Among the specimens of this type that I have managed to find, there are some in silver and others in gold.
In addition, there is also this version with a front cover, at least of the gold variant. I have not been able to track down a similar model in silver, but it is entirely possible that it exists.
We then find another type of case, with a more “modern” style, which I can document with two examples in my possession, in silver and 18-karat gold.
Finally, here is the version with a front cover of the second type of case. The specimen depicted is made of 18-karat gold, as are the other two of this type that I was able to track down.
The Laurel sports an elegant enamel dial, like most watches of that era. The enamel is practically immune to the effects of humidity, and for this reason some of the dials can still be admired today in their original beauty.
The only problem is that, over many years, the enamel can develop small cracks, which are quite common on existing Laurels today.
There are various versions, quite similar to each other, but with some differences in the style of the indexes and the font.
The first version of the dial, according to the most authoritative sources, seems to be the one at the top left in the photo above.
The Laurel shown in the photo below is a specimen from the Seiko Museum in Tokyo. It can be seen that the font of the Laurel writing is different from that used in other versions.
It is also noted that the 12 is red, a touch of style that was fashionable in the early 1900s, and that we find only on a few Laurels.
In most of the Seiko watches we are familiar with, the production date can be easily deduced from the first two digits of the serial. However, at the time of the Laurel, more than a century ago, this standard had not yet been adopted, and it seems that the first two digits reveal absolutely nothing.
The hypothesis of some experts is that the serial numbers are progressive, so the lower the number the older the watch, but I have some doubts left about it.
There is nothing certain, as not even Seiko seems to know the answer. Much of the product documentation from that era has apparently been lost or destroyed.
Over the past year I have had the opportunity to observe numerous Laurels. Of those on which I was convinced of the originality of the case, I took note of the serial numbers, which I will list in the following table, according to the type of case.
The only obvious thing is that gold Laurels always seem to have a 6-digit serial, while all the others have a 5-digit serial.
Laurel wrist watch
|Fixed lugs silver||45481|
|Fixed lugs nickel||80623|
Laurel pocket watch
|Type 1 silver||35113|
|Type 1 gold||?|
|Type 1 gold (front cover)||?|
|Type 2 silver||23949|
|Type 2 gold||357429|
|Type 2 gold (front cover)||?|